“Curse” together. Origins,” Arkasha Stevenson returns to the sources of evil in a metaphorical film.

The meaning of “the world” – should not be missed

Certainly, nothing is less imaginative than cinema that is only imaginative. Isn’t what we call “fantastic” or “horror” in the cinema often an expression of repetition, repetition, strife, routine, an image induced by the power of the already seen, a cliché that relies on its banality to appease the viewer who does not want to break free from his habits? , as a lover of genre films?

The first reaction that can be experienced upon discovery He said. The future That’s why it’s a rare feeling to find yourself with something exquisitely new, inspired, visionary. A work that would be enriched by different degrees of perception and reading would offer layers of sensations and unexpected levels of reflection.

However, on the surface, we can consider Arkasha Stevenson’s first feature film as just another purely commercial project. As the title suggests, it’s about one of the great horror movies of the 1970s. He said (1976), by Richard Donner (1930-2021), who himself used the enthusiasm that led to The exorcist (1973), William Friedkin’s (1935-2023), representation of the coming of the Antichrist. It would be the adopted child of a woman who died in childbirth by the United States ambassador in Rome, played with some solidity by Gregory Peck (1916-2003).

Three sequels, a remake, and a television series have since revived the mythology Donner’s film spawned. He said. The future It therefore represents what we call a prequel Not a continuation of the film, but a description of the causal causes that led to the situation described He said.

Plastic wealth

A young American nun goes to an Italian convent to say her final vows and serve the Church in a Catholic orphanage. A series of strange and disturbing events gradually casts doubt on the existence of a dark conspiracy of which he may be a victim.

Lost in the heart of a terrible world, imprisoned in the heart, where only ocher and black give color to places and people, allowing herself a brief nocturnal and festive escape in the midst of complete chaos in the center of the metropolis, the heroine becomes a victim of redemption. A sinister and mysterious design, a design that also contains a political project.