“For Your Wedding”: Our Milstein unravels the threads of his life

The meaning of “the world” – should not be missed

From the unhappy consciousness of the world – asserts a litany of tragic experiences – what can we do in cinema? Several masterpieces of melodrama answer the question. Oury Milstein, who has spent nearly forty years working as a producer in the profession, has decided, at the age of 66, to portray himself in the first person, in a film that is all the more exciting for the fact that it does justice. Trouble without an ounce of pathos. A small work, then, but of uncertain magnitude, in that it implies courage, in that it evokes emotion, shares, ultimately, a view of the human world that cannot be reduced to insult. experienced or their naturalization according to the film genre (neither melodrama, nor diary, nor family film).

This means that, fundamentally, Milstein is struggling to find himself, more so – as he admits in an interview – than thinking about film as an art object and public display at all. A stunning admission that turns the film into a kind of unprecedented theoretical object, akin to a brute of art, a real challenge to theories of creation. A unique experience is offered for this very reason. In this case, it would be that of a person whose life was stolen, not only without question, but persistently enough to make one wonder how long he would continue to exist, how long he would live up to his name.

Let us consider here, in the block in which we apologize for offending the fluidity of the film, the Erinyes, who focused on the fate of Milstein, with these snakes whispering over their heads. Parents first. The father, a Bessarabian Jew who became a renowned artist, was constantly on the run. Mother, a Persian Jew, the first paratrooper in the Israeli army, is tough as a rock. They meet in Israel, settle in France, have a child, immediately divorce, leave the child in distress, as if they give up. Then there will be two women, one Jewish, Jokia, one not, Benedict, whose companionship must be mourned, four children who are not family at all, a teenage daughter as beautiful as the day with leukemia, a companion. Finally, photographer Kate Barry, shielding herself from the window.

Speaking through the dead

So much loss. So much mourning. A lot of pain. In any case, what can be guessed and what the director, exactly, does not dwell on. How can we fill in what has been denied and what we lack? How can we go on living when life itself is missing? How can we come together after being torn apart by fate? This is something that the film, if it doesn’t answer, at least helps. Moreover, with rare elegance, the highest art of opportunism, union, freedom. There is a piece of equipment. Milstein invites the whole family to his house to watch the film of his first marriage and talk about the meal he filmed. The most Allen part of the film appears here, starting with this wedding film, which shows that Enrico Macias, the father of his first wife Joccia, did everything to take the place of this wise husband, which is natural for a Jewish father. He was also shouted at by his own wife, forgotten in the synagogue. for your weddingBefore the film, therefore, there is a song written by Enrico for his daughter’s birthday, which they performed as a duet on all television, and whose dazzling incestuous subtext is still surprising.