Cate Blanchett, actress in The Power of Art

There are talented people and there are others. Cate Blanchett is sure that she belongs to the second category, those who do not have special talent, let alone genius, have to work intensively, diligently. He is not offended by this impression and accepts it calmly. And with a mirror effect, he is fascinated by talented people. Because they are better than him, in his eyes, they can teach him a beneficial lesson, and they are also more fragile.

This is what amazes her when she recalls her character as Lydia Tarr, the conductor of a great German symphony orchestra at the peak of her career, fully prepared for a much-anticipated concert. 5^e symphony by Gustav Mahler. Interpretation of the main role tar, In Todd Field’s new film (in theaters January 25), the Australian actor, as usual, pretended that biographical elements were absent from the script. Details, visible only to him, that he always writes down on paper. It’s like the materialization of her work, because for Cate Blanchett, acting is above all writing.

When we interview him, he also pulls out a piece of paper to recap his career. As if this calmed and confirmed his intense work. The star has a wide smile on his face The curious case of Benjamin Baton (2008), by David Fincher, or Carol (2015), by Todd Haynes. Like these important roles he played, he built what he interpreted in front of Todd Field’s camera as a house, with floors and hidden corners. Of course, the character of Lydia Tarr is first a figment of the imagination of the American director and screenwriter, but her translator refined and refined it.

Refinement of details

In the ecosystem of Hollywood stars, Cate Blanchett is taking the place that once belonged to Meryl Streep, the place of the great actress who can play anything. This is evidenced by her career on the big screen, but also on stage – she once ran a Sydney theater company with her husband, director Andrew Upton. Won many awards over the years – Oscar for Best Supporting Actor (pilot, Martin Scorsese, 2004) and Best Actress (blue jasmine by Woody Allen, 2013), double prize for interpretation at the Venice Film Festival (am i there by Todd Haynes, 2007 and tar), for the Golden Globes speeches Elizabeth (1998), Shekhar Kapoor, Am I there?, Blue jasmine and tar – strengthened the status of an actor recognized by his peers. With a Todd Field film that could bring her a third Oscar in March, Cate Blanchett seems to have taken it one step further, as it seems only a very talented actress could pull off her face for such a complex character.